Chris Randall: Musician, Writer, User Interface Designer, Inventor, Photographer, Complainer. Not necessarily in that order.
 

Tags: YouToob


September 21, 2016

Hands, With Occasional Beard...

by Chris Randall
 



In order to do the overview video for our Proton module, I needed to multi-track and clear a patch I've been playing with for the last couple days. Before I did that, I thought I'd do a quick live performance video of the patch, which you can watch above.

I'm using the four track cassette deck for the noise beds; there are three ambience loops I recorded in various places (Mexico pyramid ambience, Berlin U-Bahn, and the O'Hare airport), plus a fourth track that is a pad. The 4-track I have only has stereo outs, so I have the first track as FX send 2, going to the H9 Max. The second and third tracks go straight to the modular out the main outs, and the fourth track, the pad, goes straight to the modular out FX send 1. In this way, I have direct outs of all four tracks from a deck that doesn't have direct.

The pad is running to a Kompressor module, where I introduce the sidechain pulse, and then to Dimensions to get stereo-fied. The high hat and sidechain pulse are sequenced by the monome/White Whale. The kick, snare, and Boop sound are sequenced by the second Sequencer 1. All are Audio Damage modules. The bass is the WMD/SSF voice, sequenced by the first Sequencer 1. Recorded as a stereo pair straight to Adobe Audition. I used iZotope Ozone 7 for a mild mastering squish, but otherwise, WYSIWYG.

 
September 20, 2016

Using External Effects And Modules In Live: Tech Time 009...

by Chris Randall
 
 



A couple people have asked me to do some more basic videos, so I thought I'd give that a whirl. This one is a quick-ish demonstration of using external effects and modules in a Live session, and the hidden gotchas of same.

Let me know if you have any specific topics you'd like me to cover, or any questions/comments about this particular video.

 
September 12, 2016

Sound Experiments 001 - DIY Noise Box...

by Chris Randall
 
 



Just a fun little Saturday afternoon project. My only comment not covered in the video is that, like all piezo-based projects, you need an amplifier of some sort to bring it up to modular levels. I use a Circuit Abbey Axis module, but any preamp will do. The Music Thing Mikrophonie is probably the best tool for this job, and handy to have in any case.

 
September 5, 2016

Yo Dawg I Herd U Like Random, So I Randomed Ur Random: Tech Time 008

by Chris Randall
 



To do this video, I went through a bunch of the techniques I use in normal production to add indeterminism to tracks over the course of a couple days. I then sat down to edit it and realized I had over an hour of footage, and I didn't even cover most of the non-Live apps I use, nor hardware.

Randomization is a fucking broad topic.

Anyhow, I managed to knock it down to three techniques. Again, I'll raise this issue that has appeared a few times as I've done these: I'm not entirely sure what's worth filming. A lot of this shit is self-evident to me, so I'm not sure what people find interesting or not.

Anyhow, here you go: some thoughts on Randomization. Necessarily Live-centric.

 
August 24, 2016

The Weekly No. 006: Milestones...

by Chris Randall
 
 



I didn't realize it until I'd rendered and uploaded the video, but this week's quasi-philosophical meandering actually has a theme, and that theme is "milestones." In the first half, I ramble for a couple minutes about the minor yet not minor at all milestone of crossing 1,000 subs on the AI YouTube channel. I also get confetti in my ears.

In the second half, I wander around the subject of actually finishing songs. As to whether I impart any information that one could consider "useful" is open to interpretation. But whatever I'm doing, I feel like I do it with a great deal of charm, and dare I say enthusiasm?
 

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