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ENOUGH!!!

From the original Analog Industries archive. Some links and images from that era no longer resolve.

ENOUGH!!!

My feelings on tubes have been posted here and other forums enough to where you have probably got a good idea of my maxim: if there’s a window so you can see the tube, the tube’s inclusion in the product is as a gimmick or marketing ploy, not because it will impart any magic powers on the gear. There are (rare) exceptions to this rule, but for the most part it is a safe rule of thumb: if you can see the tubes from the front, it doesn’t matter if they’re in there or not, because it’s still a shitty piece of kit.

Which brings me to what is pictured above. The only thing dumber than tubes added to a product just so you can say there are tubes in it (and sorry, Korg, but I’m talkin’ bout you…) is putting a picture of an imaginary tube on your plug-in UI. I, of all people, know that the user interface of a plug-in does in fact do a lot of the talking about that plug-in. But I draw the line, you know?

Now, I don’t have anything bad to say about TL Labs otherwise. I mean, they’re one of those snobby sorts of companies that only make TDM and RTAS shit, and charge an arm and a nut for their plugs, and use (gasp, choke) iLok for their CP (an utterly pointless exercise if ever there was one) but I’m sure they’re very nice people. But a fucking tube? Come on.

Well, never mind all that, yeah, go ahead and check it if you’re a PT user and have half a banger to drop on a compressor plug-in with a real live tube in it.

As a rather amusing aside, I was thinking of Antares’ The Tube plug-in the other day, and mentioned to Adam that it would be funny if Audio Damage released a plug-in called “The Op-Amp” and it had perfect models of all the shitty dimestore op-amps that are found in low-end Chinese-made gear. We would release it in TDM only, and charge $799 for it with iLok CP. It would probably sell like hotcakes.

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